Clients
Australian Financial Review
Australian National Portrait Gallery
Australian Women's Weekly
Bailey Ladders
BankSA
Bird in Hand Wines
Black Sheep Advertising
BRW
CitiBank
Clemenger
Coopers Brewery
Corbis
DBS Bank
Department of Education
Elders Care
Flinders University
Getty Images
Gourmet Traveller
Grant Burge Wines
Halliday Wine Companion
Hardie Grant Publishing
Hender Consulting
HSBC
IKD
KWP
Lend Lease
LinFox
Lippo Bank
Maggie Beer
MasterCard
Michells Wool
National Geographic Books
Newsweek
Nikon
Northline
OCBC Bank
Optimal Finance
Palladium
Parallax Design
Penley Estate
Penfolds
Prince Alfred College
Primo Estate
Qantas
SATC
Scotch College
Seymour College
SGIC
SingPost
SingTel
Sky City
South Australian Tourism Commission
St Peter's College
St Peter's Girls School
TAFE
Tenix
Text Pacific
The Australia Council
The Spectator
Time Magazine
Tridente Boyce
Walford Anglican School
Woods Bagot
Wunderman VML
Yalumba
Young & Rubicam
“Photography, for me, is the discovery of the unexpected — finding the jewel in the everyday.”
As a photojournalist and commercial photographer, Peter Fisher has brought the same passion and discipline to a family portrait as he has to assignments for Time, Newsweek, Coca-Cola, HSBC, Qantas, and Penfolds. That standard hasn't changed in 45 years.
It was the birth of his son Maxwell in 1999 that drew him toward fine art portraiture — the recognition that those fleeting, unrepeatable moments of family life deserved the same serious attention he gave to any major assignment.
Peter holds the AIPP Master of Photography credential — awarded twice — and was named Australian Portrait Photographer of the Year. His portrait of Gay Bilson is held in the permanent collection of the Australian National Portrait Gallery. His work is represented worldwide by Getty Images.
He lives in Adelaide with his wife, the artist Pelle Fisher.